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“Peter Doggett’s book about the Beatles’ split is a real page-turner.” — Annie Lennox
“Enthralling… Impossible to put down.” — The Independent
Acclaimed journalist Peter Doggett recounts the previously untold story of the dramatic final chapter in the lives, loves, and legal battles of John, Paul, George, and Ringo—aka The Beatles—from their breakup in 1969 to the present day. Called “refreshingly straightforward and highly readable” by The Daily Telegraph (London), You Never Give Me Your Money is the dramatic and intimate story of the breakup and aftermath of The Fab Four as it’s never been told before.
- Sales Rank: #334011 in eBooks
- Published on: 2010-05-21
- Released on: 2010-06-08
- Format: Kindle eBook
From Booklist
Doggett says the four Beatles’ individual efforts will never match the magic they created as a foursome. Yet the story of the post-breakup Beatles is intriguing and fascinating in its own right. Doggett begins at the end, with the 1980 murder of John Lennon outside the Dakota apartment building in New York, then turns back to the late-1960s, when Sgt. Pepper was released and the glow of the group’s innocent days had long dimmed. In that tumultuous time, the foundation of the band’s eventual demise several years later was laid. Doggett captures the competitive sparks that flew among the four men, especially between Lennon and Paul McCartney, and also the mutual affection that formed the basis of their complicated relationships. He covers all the many lawsuits and legal maneuverings that consumed so much of their time as well as the feelings of anger and betrayal and the weariness of it all. And he discusses each member’s solo albums. A must for Beatles fans and good for more casual pop-music enthusiasts, too. --June Sawyers
Review
“What Doggett has achieved is a laying bare of the darker consequences of enormous fame and wealth. Yes, there is the glory but there’s also the concomitant pressure of how to deal with the myth and the legacy – while trying to keep four very different voices in harmony.”
From the Back Cover
The world stopped in 1970 when Paul McCartney announced that he was through with the Beatles. Though the Beatles’ breakup was widely viewed as a cultural tragedy, one of the most fascinating phases of their story was just beginning.
In You Never Give Me Your Money, journalist Peter Doggett tells the behind-the-scenes story of the personal rivalries and legal feuds that have dominated the Beatles’ lives since 1969. It is both a compelling human drama and an equally rich and absorbing story of the creative and financial empire the band members set up to safeguard their interests but that ultimately controlled their lives. You Never Give Me Your Money charts the Shakespearean battles between Lennon and McCartney, George Harrison’s raging inner conflict between spirituality and fame, and the struggle with alcoholism that nearly cost Richard Starkey his life. From tragedy to triumphant reconciliation, from individual chart success to bitter courtroom battles, this meticulously researched work tells the previously untold story of a group and a legacy that will never be forgotten.
Most helpful customer reviews
99 of 102 people found the following review helpful.
The Sad Life (and sometimes death) of Richard, George, Paul and John
By Bornintime
I've probably read a couple hundred books about music and musicians, but only about 15 or 20 on the Beatles. Out of all those books I can't say that this one was the most enjoyable, but it was certainly one of the most profound, the one that made me think the most about the vast chasm between myth and reality. Peter Doggett has been researching and writing and living the Beatles for decades so he is as qualified as anyone to write this book. It is the story of the actual men behind the phenomenon, what they have had to live (or die) through day by day and year by year. I'm not an expert but I don't suppose that there is much in the way of new revelations here but the presentation is certainly different. It doesn't spend a lot of time in exaltation of the music. We all know, the author as much as anyone, what this music and this band has meant both to popular culture and to us individually. We all understand, and there have been countless books and articles detailing it, the sense of joy, freedom, and hope that came from those songs. That's not discussed much here. What is discussed is the day to day reality of these men (flawed as you and I), the repercussions of being one of THE BEATLES, the unrealistic hopes and dreams of millions constantly laid on their all too mortal shoulders over decades. Seen for what it is, stripped of the myth, I often found it more brutal than desirable. Doggett simply reports what happened. He doesn't often draw conclusions for us.
From the beginning the Beatles were a vast source of untold wealth and everybody wanted a piece. Bad business decisions abounded from the beginning. The worst was probably turning things over to Allen Klein after Brian Epstein's death. Much of this book is given over to the repercussions of this action and the subsequent fallout between McCartney and the others. It was tedious to just read about all the lawsuits and legal maneuvers over many years. I can only imagine the stress living through it, month after month, year after year.
We get a sense throughout the book how ill equipped the individual Beatles were to deal with their lives - the insecurities mostly hidden from the public. Ringo struggling through decades battling alcohol and drug addiction, all the while creating work that no one really noticed except as nostalgia because he was a Beatle. Paul - constantly insecure by the comparisons between him and Lennon in which he always seemed to come up short (often unjustly). This was only magnified by John's death and Yoko Ono's constant subtle, passive aggressive comments that put Paul second to John in everything. John - fearful and directionless, subject to following his whims to ridiculous extremes in both his personal life and recording career. George - holding a grudge against Paul for years because he felt slighted and controlled for most of their time in the Beatles. After John's death in constant fear for his safety - a fear that turned out to be all too justified when a man broke into his fortress and tried to take his life. George's deliberately humorous comment was that the man wasn't there to try out for the Traveling Wilburys. The harsh reality was that George came very close to death that day, being stabbed 40 times in a brutal attack. This is exactly the thing that the author ably reveals - the vast difference between the carefree fantasy perpetuated and believed, and the truth of their lives. The constant questions and speculations about a Beatles reunion, even after John's death. It's all quite relentless and, when presented in this manner, seems to indicate the fame of these 4 men was more of a burden than a blessing. But that's just my impression; as I said the author doesn't draw conclusions or tell you how to feel. The most heartbreaking thing to me was how George could not even get any peace during his actual time of dying. One of his medical staff insisted on subjecting him to a song played by the man's son on guitar. He then practically forced him to sign an autograph and had to hold his hand since George didn't have the strength to sign by himself.
I think we have all, to some extent, looked at The Beatles through rose colored glasses - as if their lives were lived in some kind of golden haze, that anyone lucky enough to be in their inner circle was blessed to dwell among the gods. This book certainly shows how wrong we were.
58 of 60 people found the following review helpful.
The Beatles, the business and how it tore and kept them apart
By Wayne Klein
Mojo and Q writer Peter Doggett tackles one of the most difficult subject in The Beatles mythology in You Never Give Me Your Money: The Beatles After the Breakup. Doggett focuses on the hurricane of success that led to the band's break up and kept these four friends who went through the excitement/hell of Beatlemania together apart--the business of The Beatles, their own egos and all the baggage they carried into and out of their relationship(s) as former partners. The Beatles was truly always bigger than all of them separately and for them to carry on in the shadow of a monster was difficult--they were always individually measured against the sucess of The Beatles something much bigger than John, Paul, George and Ringo individually.
The first third of the book is devoted to The Beatles before and on the cusp of the break up including a discussion of Allen Klein, the Eastmans and the legal issues/conflicts between those outside of the Beatles camp and inside. The majority of the book though focuses everything from the petty (George stating sarcastically suggesting that Paul talked about recording some of John's songs because he ran out of good ones himself) to the major (the conflict between George, Ringo and Yoko when Paul set up a higher royalty rate that tied into his solo career but also effected his Beatles recordings as well that the other three weren't privy to).
"You Never Give Me Your Money" focuses on the legal squabbles and difficulties that John, Paul, George and Ringo faced in the aftermath of their massive success. The band faced friends who robbed them, each other in courtrooms,EMI the company they recorded for and their own personal demons of living up to the reputation that was bigger than all of them. Dogget documents McCartney's struggle with standing in the shadow of a former collaborator who suddenly became an icon; Harrison's attempt to escape being just a Beatle and Ringo surfing on his charm only to fall into a pit of drugs and alcohol. This isn't the first book to focus on the business/legal/ego issues that surrounded the Beatle money making machine (The Longest Cocktail Party and Apple to the Core both did to some degree) but this is the first one to give us a comprehensive look into their post-Beatle lives/business dealings with each other.
Doggett's book is well researched covering everything from the difficult conflict for control of the band between business savvy Allen Klein and the Eastman family to Harrison's financial troubles and McCartney's massive publishing empire. He details the cold/warm relationship between McCartney and Ono quite well. While Doggett does discuss the music he doesn't focus on it--instead he focuses on the people who made it and how they struggled to survive in the wake of one of the most successful and ripped off bands of all time.
Even though it is well researched there are a couple of minor errors that weren't corrected from the British edition--former Wings member at one point is referred to as a guitarist (he was the drummer and later is referred to in another section as the drummer for Wings), "The Beatles-Alpha & Omega" which had commericals airing on TV in 1973 in the U.S. is referred to as "The Beatles Story" (an album title for a 1964 Capitol Records release)and the ads are mentioned as airing on ABC-TV (it wasn't on the networks but on the affiliates). There's also no mention of the lawsuit that George Harrison filed against Ringo Starr related to Ringo recording his song "I'll Still Love You" or the fact that Ringo razzed George about it in an interview. It's possible that these might have been dropped for one reason or another during the editing stage of the book) but on the whole Doggett does an excellent job.
There's a mix of new and older information that's collated nicely by Doggett. Doggett brings it all together with some new insights into the situations The Beatles faced. You Never Give Me Your Money gives us a peek into the insanity (sometimes of their own making sometimes not)that continued to surround The Beatles after their "divorce". Recommended.
42 of 44 people found the following review helpful.
Clears Up A Lot of Mysteries For Me
By Rob Mattheu
As a rabid classic rock fan, I always wondered why the Beatles seemed to have completely ignored the CD era. Almost every band of the sixties saw their CDs issued two, three, four or more times in the 20 plus years CDs have existed. Until 2009, the Beatles saw theirs issued once. Why would the band pass up the opportunity to make money on their songs? Why would they deny their fans the opportunity to hear the CDs cleaned up with bonus tracks and other goodies?
After reading You Never Give Me Your Money, the answer becomes clear. From the late 60's on, the Beatles were rarely on the same page on anything, and with the exception of Ringo, all three seemed to be on opposite sides of ambivilent or excited about the propsects of reuniting at any given time.
You Never Give Me Your Money opens on the event that forever ensured that the Beatles would be shattered, the death of John Lennon. This event becomes the turning point for the group not just because the co-frontman for the group is dead, but because his widow, Yoko Ono, essentially becomes the fourth Beatle in negotiations and discussions. By the end of the book, it is clear that Yoko controlled John in life, and her grip in death ensured that any activity envolving the Beatles would not be for the joy of making music, but a business transaction in which the image of John was the most important thing.
Truthfully, no Beatle comes off great here. Paul is seen as the consumate hard working musician who leads a life of diminishing musical returns. He's bossy, a bit delusional, and always trying to boost his self esteem and position with his mates in the band. As portrayed here, Paul fancied himself the most talented, but always had an inferiority complex when it came to John, something Yoko Ono did her best to exploit. Still, Paul seems to distance himself from the party and hard drugs lifestyle that the others sought in varying amounts. He also seems the most business savvy, pleading in the final years of the group for the rest of them not to go with the shady Allen Klein, and then investing in both himself and others to build a publishing empire that would make him far wealthier than any of the group.
John comes off as a bit of a waste himself, submersing himself in drugs and the attention seeking of Yoko Ono, he gains a reputation as being the socially conscious Beatle, but appears bored with embracing any message for too long. He rejects the Beatles at first, but then seems to warm to a reunion, apparently ready to work with Paul again during his "lost weekend" when he was estranged from Yoko, only to have her reel him back in at the last second and essentially see him retire from music. He seems to toy with Paul, who wants to stay friends, by bringing him close then rejecting him with equal ease. Much is made of John's need for a strong domineering woman in his life, a role Yoko fills incredibly well
George appears to be the Beatle most resentful of their legacy. Angry at John for dismissing his talent and Paul for Paul's ego and domineering nature, George seems to relish being out of the band and their shadow. He embraces the mystical and the secular in equal order and seems mostly to feel that the Beatles are part of his past that he need not revisit. Only when money becomes tight does he embrace the idea of a reunion, and then only on his terms with his producer.
Ringo comes off the kindest but most lost. With minimal songwriting or solo talents, and little hope of hooking back up with his friends, he pursues his addictions with a vengeance, eventually sobering up, but finding sobriety hard to keep when there is so little to occupy his attention.
But ultimately it is Yoko who is the person that shapes the post breakup years of the Beatles. From You Never Give Me Your Money, you get the sense that Yoko essentially threw the balance off in the Beatles. Whereas the other three had wives and girlfriends, they seldom became part of the music or the group's scene. Yoko joined John at the hip and rode his coattails the entire way. When John died, with him died the chance that the Beatles could reunite, with him or without him. One gets the sense that had he lived, the four might eventually have decided to bury the hatchet later in life and reform, or at least play together occasionally. Instead, Yoko created the image of John as Lennon first, Beatle second, and worked to cultivate the myth that he was the leader, the most talented, and the most historically significant Beatle.
Ironically, the moment that sums up what Yoko is like comes not in the narrative of the book at all, but in a brief note in the acknowledgements. Writer Peter Doggett provides a summary of people he talked to for the book and a bit about the circumstances he met them in. Under Yoko, he mentions that he met her at the Hyde Park Hotel. "Just as she was telling me that she would now have to face the world alone without John, there was an ill-timed male cough from her bathroom. She looked embarrasedly in that direction and changed the subject." For Yoko, the image of John's memory and her as his widow seems more important than the man or his music. It's as though Priscilla Presley morphed into Colonel Parker.
You Never Give Me Your Money is an excellent portrait of the post breakup Beatles. Recommended.
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