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In the fall of 1918, a world ravaged by war was suddenly hit by a mysterious and deadly plague. As fear of the dreaded “Spanish” flu fills the town of Unity with paranoia, drastic measures are taken. But when the disease descends upon the town despite their precautions, the citizens begin to turn on each other, looking for a scapegoat.

• Sales Rank: #1062278 in eBooks
• Published on: 2013-04-10
• Released on: 2013-04-10
• Format: Kindle eBook

Review
"[A] work of powerful and moving familiarity ..."

About the Author
Kevin Kerr
Kevin Kerr is a playwright, director, actor, and founding member of Vancouver’s Electric Company Theatre.

In the 1999/2000 season, he was Writer in Residence at Touchstone Theatre where he developed Unity (1918) (Talonbooks, 2002), which earned him the Governor General’s Literary Award for Drama. He is the recipient of three Jessie Richardson Awards for Outstanding Original Play (Brilliant!, The Score, and Unity) and his work has been produced across Canada and in the United States, France, Australia, and the United Kingdom.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Bound to be a classic
By A Customer
After learning that Unity (1918) was awarded the prestigious Governor General Award for English Drama, I had to have a look. What a joy! Although I don't regularily read plays, but I am sure glad I read this one. The characters (esp. Sissy!!) are amazing. Although it is set near the end of WWI, I feel like I know these people. With the craziness that is happening in our world today, one can sure relate to the happenings in this story.
I know it is bandied about way too much--eveything seems to be labelled a classic within minutes--but I honestly forsee Unity becoming a Canadian classic. Mark my words, your kids will be studying this in highschool at some point. It's a universal story with gorgeous details and characters so real they slap in you in the face.
I haven't had the opportunity to see a production of this, but if one comes to my city (please!) I'm going to rush out an see it.
I strongly, highly, deeply recommend this book!

1 of 2 people found the following review helpful.
Heartbreakingly beautiful
By A Customer
A beautiful play about the 1918 flu epidemic in a small town on the Canadian prairies. Kerr writes full and loveable characters that seem to breathe off the page. There are elements of Canadian Gothic, humour and poetry that make the story complex and intriguing. We feel the terror and love the people of Unity experience. Kerr is a first class playwright with a promising career ahead of him.

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[A627.Ebook] Ebook Download Sumi (Vagabond Illustration Collection), by Takehiko Inoue

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• Featuring artwork from the 32+ volume manga series - Vagabond is on Japan’s top ten best seller’s list with over 100 million volumes in print.
• Vagabond has sold over 22 million copies worldwide! (Not including Japan’s sales).
• Vagabond is based on the novel, Musashi by Eiji Yoshikawa. Originally written in the early 40’s, Yoshikawa’s fictional account became so well known that his version has blurred fact from fiction.
• VIZ Media is currently releasing the English translated edition of Vagabond only three months apart from the Japanese release!
• The popularity of Vagabond has been attributed for the reason NHK produced its period drama TV series based on Yohikawa’s novel.
• There have been 6 films and 2 TV series based on Miyamoto Musashi’s life.
• Inoue received the 2000 Media Arts award for manga from the Japanese Ministry of Culture and the Kodansha award for best manga for his work on Vagabond.
• Nominated for 2003 Eisner Award in the category for Best Writer/Artist!
• "...reads like an Akira Kurosawa film captured on the printed page." -Cliff Biggers, Comic Buyer's Guide
• Inoue has personally created licensed merchandise on a small scale, so that the products will meet his standards of quality.
• Inoue’s previous series Slam Dunk has over 100 million copies in print worldwide.
• Everything Takehiko Inoue has published has hit the top ten sales list in Japan.

Sumi presents Inoue's magnificent pen and brush work in black and white. It also includes a behind the scenes look at Vagabond with rough sketches and photos of Inoue's studio.

 

In a recent interview, Takehiko Inoue claimed that in his first major follow-up to Slam Dunk, he wanted to delve as deeply as possible into visual artistry. The result was the incredibly realized world of Vagabond, the Sistine Chapel of manga. This artbook captures the very best of Inoue's work, with images hand-selected by Inoue himself. Not one to skimp on reproduction and image quality, Inoue also hand selected the specific printer.   
                                                                                
Sumi presents Inoue's magnificent pen and brush work in black and white. It also includes a behind the scenes look at Vagabond with rough sketches and photos of Inoue's studio.

• Sales Rank: #887447 in Books
• Brand: Inoue, Takehiko
• Published on: 2008-09-16
• Released on: 2008-09-16
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.75" w x .75" l, 2.15 pounds
• Binding: Paperback
• 158 pages

About the Author
Takehiko Inoue was born in Kagoshima prefecture in 1967. His first major success -- the hugely popular 31-volume long basketball manga SLAM DUNK -- sold over 100 million copies worldwide and catapulted him into the top ranks of Japanese manga artists. Besides manga, Inoue also worked on character design for the Playstation basketball game ONE ON ONE.

Most helpful customer reviews

8 of 9 people found the following review helpful.
The Da Vinci of Comics
By Bruno M
Before having this set of artbooks in my sweaty, trembling hands, I used to think that Takehiko Inoue was one of the greatest comic artist of the last couple of decades. Now I see what a fool I was: Inoue is in fact the best comic artist of all time.

No Katsuhiro Otomo, no Moebius, no Manara, no Frank Miller (in the good old days), no Bradstreet, no Kirby, no Breccia (Sr), no Tezuka, no Lee, no Hitch, no Cassaday or Quitely can top this unleashed beast of pencils, inks and brushes that Takehiko Inoue is.

This man is the Leonardo Da Vinci of comics.

Now let's talk about the editions, and let's talk about the set of them, because it's nonsense to only buy one, you have to have both.

These editions are from another planet. And that's it. Never before have I seen such a printing quality in my life. The definition and sharpness of those images will just cut you to the very bone, just as deep Musashi would. The effort that the people of Viz put in these books is really commendable: the moment I opened them I was struck by an intensity of black so pure and strong that I felt I was looking at the fu**ing originals.

And the COLORS... I won't even talk about the colors, because there is no point in describing them: I could waste an entire dictionary of adjectives and never get close to make justice to this palette and the quality of its impression. These color, you have to see them for yourself.

I know I may sound excessive, but I repeat you, the quiality of this printings is superior to anything I've seen before (not even in Taschen deluxe editions can beat The Water and The Sumi).

The paper, of course, is beautiful, as white as it gets. And the smells is splendid, too.

Oh, one last thing... these books are not hardcovers. However, the sleeves -of very nice quality- are much more thick than any given paperback. So all in all, it's a perfect edition and this should not frighten you away from getting them. The price is more than fair, believe me, now that I've seen it for myself, I'd be willing to pay for this set with my very own internal organs.

0 of 0 people found the following review helpful.
Five Stars
By jb
Love this book, the illustrations are amazing.

0 of 0 people found the following review helpful.
Gorgeous
By Raquel B. Starace
Oh, my. This is expensive for a book that isn't a hardcover, but if you love ink drawings, manga or if you've enjoyed Eiji Yoshikawa 's fictional account of Miyamoto Musashi, or if you've read "Vagabond," drop some coin for this volume of truly astonishing drawings. I'm reading Inoue's Takehiko's manga ( "Vagabond" ) based on MUSASHI right now, and that alone convinced me he's one of the greatest manga artists out there. But this book took my breath away. I don't know much about the process of ink drawings, but every piece seems to be a mixture of techniques: bold brush strokes, delicate cross-hatching, and washes. The sweep and life and brutality of these drawings really can't be written about, they have to be seen. Though it's a soft cover the book is beautifully bound, and it's a pleasure to just run your fingers over the cover. Worth every penny. I'm going to get his other volume, "Water." Get it, treasure it.

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This is a series of "insight" stories from the Author's life as an actress, presenter, media personality, entrepreneur, business person and importantly a contemporary woman.

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Written in a breezy non linear format, this book is the perfect travel companion - to be picked up and enjoyed from any chapter.

• Sales Rank: #287945 in eBooks
• Published on: 2015-08-07
• Released on: 2015-08-07
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Golden and Runny - A Masterful Creation
By Ganpy
I neither had the patience to wait for this book to be available on Kindle nor for the print edition to be available here in the US. So I did what every good book reader does - Ordered the print edition in India as soon as it was released (where it was originally published by Harper Collins) & had it shipped to me. Read it in one sitting.
Confession: I haven't read the kindle edition yet (just ordered) but I guess I don't necessarily have to read the kindle edition to review the book.

First things First: You don't need to know the author to enjoy the book. This is a great read for anyone who is simply looking for a book packed with lighthearted notes on how to stay positive no matter what. A pocket guide, if you will, for those who want to read something quick, whenever they feel down or whenever things look a little bleak.

I bet you will smile your way through this book. And no, it is not because this is a "humorous" book - but because this is a book that is bound to remind you of situations in your own lives. There were at least half a dozen situations that I could completely relate to as narrated by Anu. I smiled my way through because I simply loved how the author so gleamingly narrates her way of handling some difficult situations and how very cogently she connects these situations with some generic notes that can make a desk calendar on their own if compiled together.

Final Note: My Father In Law (75), who hadn't read a single book in the past two decades, decided to take a sneak peek at this book and ended up reading this book in its entirety. Now, he cannot stop raving about this book enough, for he loved Anu's simple style of presenting her unfazed attitude while handling some real life issues and the simple portrayal of all things positive.

Highly recommend this book.

0 of 0 people found the following review helpful.
Easy, breezy one-shot-read kind of book
By Reader
Easy, breezy one-shot-read kind of book. The language is beautiful, simple, precise, articulate and so free flowing that I could imagine Anu talking about the same with laughs and giggles that I observed in her shows and interviews. The wit and humor shined through and the incidents and experiences she had chosen to mention in the book are very much one could relate to. I was impressed with the authenticity, sensitivity and objectivity with which author has presented the vulnerabilities and they way they are put in perspective towards the end of each topic.

0 of 0 people found the following review helpful.
One of those books which you can't stop reading until the end
By Sumit Mishra
Simple, honest, direct easy to follow and couldn't stop reading. Anu has shared her pearls of wisdom, knowledge, happiness and some tears. Totally engrossed until the end. Two thumbs up!!

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• Published on: 1707
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Volume One begins with a systematic development of basic concepts (strain, stress, stiffness and compliance, viscous clamping) and coordinate transformations in both tensor and matrix notation. The basic elastic field equations are then written in a form analogous to Maxwell's equations. This analogy is then pursued when analyzing wave propagation in both isotropic and anisotropic solids. Piezoelectricity and bulk wave transducers are treated in the final chapter. Appendixes list slowness diagrams and material properties for various crystalline solids. Volume Two applies the material developed in Volume One to a variety of boundary value problems (reflection and refraction at plane surfaces, composite media, waveguides, and resonators). Pursuing the electromagnetic analogue, analytic techniques commonly used in electromagnetism (for example, normal mode emissions), are applied to elastic problems. Two final chapters treat perturbation and variational methods. An appendix lists properties of Rayleigh surface waves on single crystal substrates.

• Sales Rank: #3721396 in Books
• Published on: 1990-06-01
• Original language: English
• Number of items: 2
• Dimensions: 9.50" h x 6.50" w x 2.00" l, .0 pounds
• Binding: Hardcover
• 878 pages

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0 of 0 people found the following review helpful.
Review on Auld's elastic wave book
By dxian
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7 of 7 people found the following review helpful.
An excellent text, clearly explaning acoustics in solids.
By A Customer
Auld has written a readable text on acoustics in a wide variety of isotropic and crystalline materials, including piezoelectric materials. Well balanced between the disparate fields of electrical engineering and engineering mechanics, he blends the subject together well, with a good set of examples and exercises.

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• Sales Rank: #195012 in Books
• Published on: 2014-01-23
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x .80" w x 7.90" l, .0 pounds
• Binding: Paperback
• 360 pages

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• Sales Rank: #2997917 in Books
• Published on: 2015-06-26
• Released on: 2015-06-26
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .37" w x 7.50" l, .63 pounds
• Binding: Paperback
• 156 pages

About the Author

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1 of 5 people found the following review helpful.
Four Stars
By Po-An, Yang
It can be batter with python 3.

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“An utterly charming and engaging travel book that offers vivid portraits of unusual corners of Asia, told by a skilled raconteur whose eyes were open wide.” —Los Angeles Times Book Review

Warned by a Hong Kong fortune-teller not to risk flying for an entire year, Tiziano Terzani—a vastly experienced Asia correspondent—took what he called “the first step into an unknown world. . . . It turned out to be one of the most extraordinary years I have ever spent: I was marked for death, and instead I was reborn.”

Traveling by foot, boat, bus, car, and train, he visited Burma, Thailand, Laos, Cambodia, Vietnam, China, Mongolia, Japan, Indonesia, Singapore, and Malaysia. Geography expanded under his feet. He consulted soothsayers, sorcerers, and shamans and received much advice—some wise, some otherwise—about his future. With time to think, he learned to understand, respect, and fear for older ways of life and beliefs now threatened by the crasser forms of Western modernity. He rediscovered a place he had been reporting on for decades. And reinvigorated himself in the process.

• Sales Rank: #136101 in Books
• Published on: 2002-04-23
• Released on: 2002-04-23
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .80" w x 5.50" l, 1.05 pounds
• Binding: Paperback
• 384 pages

Amazon.com Review
It was 1976 when Tiziano Terzani was warned by the fortuneteller in Hong Kong: "Beware! You run a grave risk of dying in 1993. You mustn't fly that year. Don't fly, not even once." Sixteen years later, Terzani had not forgotten. Despite living the life of a jet-hopping journalist, he decided that, after a lifetime of sensible decisions, he would confront the prophecy the Asian way, not by fighting it, but by submitting. He also resolved that on the way he would seek out the most eminent local oracle, fortuneteller, or sorcerer and look again into his future. So after a feast of red-ant egg omelet and a glass of fresh water, he brought the new year in on the back of an elephant. He even made it to his appointments: Cambodia, to cover the first democratic elections; Burma, for the opening of the first road to connect Thailand and China; and even Florence, to visit his mother, a trip that would take him 13,000 miles across Cambodia, Vietnam, China, Mongolia, and Siberia. In this way, that jet-hopping journalist rediscovered the art of travel, the intricate chains of chance which lead to discovery, and the mass of humanity he'd overlooked in his rush for newsworthy quotes. And he also saved his life.

Terzani's odyssey across Asia is full of revelations and reflections on the dramatic changes underway in Asia. Having spent two decades on the continent, he brings a deep love for the place to his journeys, but also the eyes of someone troubled by the changes he sees. Burma and Laos, finally open to outside contact, are now funnels for AIDS and drugs; Thailand has been traumatized by its rapid development; China is an anarchy fueled by money rather than ideology, where Mao has been transformed into the god of traffic. Surrounded by the loss of diversity wrought by modernism, Terzani asks if the "missionaries of materialism and economic progress" aren't destroying the continent in order to save it. Fortunately, there is a flip side to his occasionally dispiriting commentary, one that Terzani discovers in his hunt for fortunetellers. Through his side trips to seers who read the soles of his feet, the ashes of incense, and even the burned scapula of sheep, it becomes clear that the Orient of legends, myths, and magic still determines people's lives as much as the quest for money. By staying earthbound, Terzani lived to tell of an extraordinary journey through the ever-shifting kaleidoscope of Asia.--Lesley Reed

From Publishers Weekly
"I was marked for death, and instead I was reborn," declares Italian-born journalist Terzani (Saigon 1975; Goodnight, Mr. Lenin; etc.) and readers of this vivid memoir will believe it. In 1976, early on in his career as a Der Spiegel correspondent in Asia, Terzani was warned by a Hong Kong fortune-teller not to fly in 1993 or he would die. When the fateful year came, Terzani submitted to the warning (no easy decision given all the voyages his work requires), and that year traveled, sometimes with wife Angela in tow, by ship, car, bus and train through 11 countries, including Burma, Laos, Cambodia and Mongolia. Dividing his lucid, graceful and unsentimental prose into 27 anecdotal chapters, Terzani takes readers to the International Thai Association of Astrology, investigates the use of raw garlic and red peppers as a bulwark against the AIDS virus and decries the domestic dog butcherings in Hanoi and constant creeping Westernization throughout the continent, which he encounters and laments in myriad forms. Talking with shamans and soothsayers, Terzani finds the Westernized mind "more limited... a great part of its capacity has been lost. The mind is perhaps the most sophisticated instrument we have, yet we do not give it the attention we give our leg muscles." Terzani's ease and candor and his care for local politics, religion and everyday life make for a full journey of mind, body and spirit. (On-sale date: June 19)Forecast: This book was published by HarperCollins UK in 1997; the delay in its issue here lessens its immediacy considerably. As an Italian correspondent for a German magazine who works in Asia for his living and has a strong Luddite strain, Terzani offers an idiosyncratic, decidedly non-American point of view it's this book's great strength, but also a possible liability with the less internationally minded.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
The author of Gai Phong, a riveting eyewitness account of Saigon's liberation, and Behind the Forbidden Door, an account of early post-Maoist China, Terzani, a resident of Asia and multilingual correspondent for Der Spiegel, has written an extraordinary and nuanced account of a journey through the Far East and Southeast Asia. In 1993, heeding a nearly stale 13-year-old fortuneteller's warning against air travel that year, Terzani visited Burma, Thailand, Mongolia, China, Japan, Malaysia, Laos, Cambodia, Vietnam, Indonesia, and Singapore by train, car, bus, and foot. Along the way, he sought prophecies from soothsayers, astrologists, monks, and fortunetellers, often in old and fabled places. Making many contacts, he was able to venture into the heart and soul of Asia where ancient customs and new fads coexist, where past wars and politics leave room in their wakes for drug lords, and where occult beliefs persist. Asia is felt rather than described. Highly recommended for public libraries. Margaret W. Norton, Oak Park, IL
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Wonderful book
By World Music Fan
I cannot express in mere words what this book has done to me. I am about 2/3 through it and really do not want the journey to end. It's not so much the fortune telling but Tiziano's perspective of people and his sorrow over the loss of traditions that are being replaced by "modernization," or Westernization. And what a shame, as he states in the book, losing these ways is like removing a page or chapter from the book of human knowledge, gone forever. He shows through the many shamans he meets, the rulers, the "common" people (like you and me), how these traditions are "weathering" as the West collides into the East, and it's not faring well. Those he meets are still practicing the ways of the earth, they still know our place in this world, this life, and how we fit within it rather than reign superiority over it, but many are dying off and their descendents are taken by westernization and are not interested in carrying on these traditions. The west has lost its ability to perform magic if you will, instead we cure illnesses with drugs that make companies rich rather than through meditation, herbal remedies, spiritual manipulation, knowledge we all once knew. And here in Asia, and in Africa, through the native people of the Americas, Australia, etc. where our old ways are still being practiced, we still have something we could take and bring back if we'd just recognize its value, a real treasure we are so fortunate to still have and one we must grasp before it is too late!

One reviewer here mentioned how all of the fortune tellers the author met predicted that he would live a long life, often stating he'd live well into his eighties, but he died a few years ago at the age of 65 from a brain tumor.

This is not the first time I've heard fortune tellers predict long lives only to be proved wrong when their subjects die much younger. I had a friend who visited a fortune teller for his 25th birthday. She was extremely accurate about his past and present as well as what she believed would be his future, much of which he had planned but never told her. She told him he would have a very long career in politics. My friend was killed in a car accident while riding in a taxi only 2 months later. Another friend told me while stationed in Haiti many years ago that he had his fortune told with a few of his army buddies. The fortune teller told everyone's fortune but when she got to one of the men, she refused to tell his fortune. He was killed a week later.

I don't know, perhaps it's all bunk or perhaps there are folks who can truly see into the future. It's just that maybe they see the future, but not all of them want to tell the truth about when that person will die. Why tell someone they will die young when you can give them hope that they will die old?

Tiziano does not have a specific perspective, he's open minded, but he pines for the old ways that he sees were more human, and contrary to what others have written here, he never states he either supports or opposes communism, he simply observes, loves individuals and people, wishes for the days when we could all be connected to the earth again, and each other in a spiritual way, and not for business. And he's open to all possibilities when it comes to spirituality, true spirituality, not the kind that too often is used to control people. He does not dismiss these religions outright, he only notices they always seem to appear as either a way to westernize a country (Christianity) or fight against that westernization (Islam), like polar opposites, but no real balance or the recognition of a people's true will.

Whatever your perspective, open your mind and take a wonderful journey with this man. You'll long for a time you may know or remember, or have heard of but wish you could experience too, a time that even existed here in the US for a spell.

3 of 4 people found the following review helpful.
history, magic, journalism you cant get elsewhere
By gcon
i would reccommend this book to anyone who enjoys travel narrative and is interested in magic and fortune tellers in asia. Although i can't agree with the author on all his opinions, as he seems to be against the modernization of Asia, i do agree that with the modernization there is a great loss of knowledge of nature. The author seems to have a love/hate thing going with china, doesn't seem to keen on thailand, and seems sad at the loss of how burma used to be. The book is well written and gives some great anecdotal history of asia, as well as illustrates, in part, the difference in the asian mindset when it comes to fortune tellers and magic.

4 of 5 people found the following review helpful.
Many levels
By A Customer
This book works on so many levels--as a travel story, as historical and political lessons on SE Asia, as commentary on many of the world's religions, and as introspection on life's meaning and the pace and avarice of modern life. I learned an incredible amount about places I will probably never see, but enjoyed experiencing through Terzani's eyes. An absolute pleasure, highly recommended.

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